Shot 8 is not yet finished, but just needs a little cleaning up; however, I have been working with Arpit and Valentino and in that space of time, I have got all the main poses done for shot 2 of the film (technically shot 2 and 3). This shot consists of a POV shot of Alex walking through her hall and is eventually followed by a cut to a Mid Shot of the kettle boiling; in this shot, Alex approaches the kettle and sees patterns omit from the kettle, a phenomenon that she describes as a "heat mirage".
This is a very simple shot which consists of her taking one slow step towards the cooker, looking at the kettle and then looking at the colours that emerge from the kettle. This shot has been altered from its original form, which originally consisted on an over the shoulder shot of Alex approaching the cooker, after being tracked all the way through the hall and simply standing and staring at the kettle, before it transitions to the next shot.
Here is a playblast of the whole shot and Alex's actions as she approaches this kettle. This is accompanied by her dialogue.
It is not yet apparent in this playblast but we have come to the conclusion together that the first piece of dialogue ("Every frequency is a different colour...") coincides with the POV shot and the second piece of dialogue, where she talks about her "heat mirage"should be placed over the Mid shot in which she approaches the kettle. As for the final piece of dialogue ("It's like seeing that, but coming out like a huge plume..."), this come over the transition from this mid shot, just as the scene is flooded with Dynamics, to the next shot which we decided would be a Slow Panning Mid-to-Long shot of Alex sitting at the table with her cup of tea and a book, ready for the next piece of action.
As she displays very little movement, I decided that in order for it to still look alive, I included a slight swing of her arm, which would continue very slightly after she had finished her walk. The only thing in this animation that is not quite finalised is her head movement; the plan is for her to look down at the kettle and as the patterns start to omit, she looks up at them. This piece of movement cannot be done properly until the dynamics for this shot are completed by our Dynamics Artist, Amelie Lim. Once this is in place, I will be able to animate her head (and chest movement if necessary) to follow the movement of these patterns.